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像是在讲我的故事。明明在笑，为什么却觉得那么悲伤呢…… 　　诚实又踏实的顶梁柱——金智完饰演的刘贤宇，终于组建了一个珍贵的家庭，却在某天被最亲密的朋友欺骗，从此一夜之间陷入巨额债务。这场突如其来的灾难让整个家庭走向崩溃。妻子韩有利（玄英饰）、儿子刘素中（柳俊赫饰）和女儿刘素望（姜彩彬饰）只能跟随他一起，深夜逃往梁山的原洞。 　　他不断在心中念着：“只要撑过今天，再撑一天就好了。”然而，深陷人生谷底的创伤与日渐衰弱的意志，最终让他动摇了信念，也让这个家庭濒临崩溃…… 　　我们，真的还能撑过明天吗？

Ji-young, a contract worker, clears out her belongings on her last day at work. Just before leaving, Tae-young from the HR team asks her to return her employee ID. Reluctant to give it up, Ji-young hesitates, but the company insists that the ID must be used by the next employee. In the end, she leaves the office with only trivial items, feeling a sense of lingering regret. However, at the bus stop, an urgent matter forces her to return to the company. Without her ID, she finds herself locked out and stuck at the entrance. Fortunately, with the help of a new female employee who is set to take her place, Ji-young manages to re-enter the building. Standing at the crossroads between departure and a new beginning, Ji-young confronts the complex emotions of transition.

Eun-ah in her 20s, who has yet to become independent or get a job after graduating from college, comes to Changwon, a strange city to meet her friend. But she loses her cell phone as soon as she arrives in Changwon.

One day, 18-year-old Sojung stumbles upon an old diary. Inside, she discovers her sister's loneliness, farewells with friends, and simple everyday moments. Confronting these forgotten childhood memories, Sojung begins to understand her sister and their past. She then chooses to embrace the present moments of someone's day with care.

My first name is Sori. It means "sound" or "voice" in Korean. It sounds like the English word "sorry". My voice drowns out my mother's. The words I spat out right after my grandpa's funeral tormented her. The violence in my voice disregards her grief and sorrow. I justify that violence. But I want to hide. I call back the words I hurled at my mother and press them onto my face.

Just 0.2 seconds after a sound wave reaches the cochlea, the brain interprets the vibrations as a sound with unique qualities of distance, direction and speed. The emotions and meanings we attach to each sound are subjective. 　　Hyejin Jung realized this when she started hearing a constant buzzing in her right ear. Her doctor's explanation was that her ear was becoming a machine. While at the hospital she met Somchai, a construction worker with the same complaint, and they started to compare the ways their bodies sound on the inside. 　　In this fusion of medical reporting, societal reflection, soundscape, and personal poetic self-examination Jung reveals through image and sound just how thin the dividing line is between sound and noise. Going beyond her own, individual experience—which ranges from mind-blowing to claustrophobic—she argues that the powers that be regard the voices of marginalized people (who often perform work that causes hearing damage) as noise, and combat it as such.

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